Skip navigation

More than a few bands have spent their entire careers trying to achieve the pure pop perfection of “Go All the Way” by the Raspberries — and that was just the first three minutes and 22 seconds of the Raspberries’ first album. Raspberries never quite reaches the transcendent glory of its first cut again, but as a synthesis of British Invasion-era pop influences and ’70s rock crunch and drive, it’s all but faultless. While the Beatles, Who, and Hollies influences are pretty hard to miss, Eric Carmen and Wally Bryson could write songs strong enough to stand proudly beside their influences, and while Carmen was already beginning to display his penchant for treacle on tunes like “Waiting” and “I Can Remember,” producer Jimmy Ienner and the other bandmembers are able to reel him in when he gets too mushy. Even better, some solid rockers like “Rock & Roll Mama” and “Get It Moving” are on hand to kick things back into gear when needed, and this was one power pop band that wasn’t afraid to crank up the amps when the occasion called for it. A cracking debut from one of the great “guilty pleasure” bands of the 1970s, though there’s not a single good reason why anyone should feel bad about liking music this great.

Fresh, the second album from Ohio power pop wunderkinds the Raspberries, managed the rather remarkable accomplishment of improving on their rock-solid debut. Like Raspberries, Fresh opens with a work-of-genius pop single, “I Wanna Be With You,” but the remainder of the album is made of stronger stuff than the debut; while Eric Carmen was always the group’s sentimentalist, “Let’s Pretend” is gush that’s seasoned with a solid undertow of lust, and “If You Change Your Mind” represents heartache at its best. And while Carmen’s partners didn’t get as many songwriting credits on this second album, the Beatlesque shuffle of “Goin’ Nowhere Tonight” and the swaggering rock of “Every Way I Can” allowed Dave Smalley to show he also had the goods as a tunesmith. The band is in even more solid form here than on its first set, with gorgeous harmonies and air-tight arrangements, and there’s a potent rock & roll undertow in the performances that gives this collection a very solid backbone. Pre-new wave 1970s pop doesn’t get a whole lot better than this, and this just edges out the debut as the best of the four albums the Raspberries made in their lifetime.

-Mark Deming,



One Comment

    • funkentelechology
    • Posted November 14, 2009 at 3:25 am
    • Permalink
    • Reply

    Hi! First of all, I want to thank for the truly great site, I'm a regular visitor.Second of all, you should be ashamed that you left off their third album with the raspberry shaped cover! Just kidding – their first two are great too. I could probably never have too much Power Pop.Third, I've just started a blog called The Audible Axiom, it's going to be by me and three other friends – we're all teenagers, and so we figured we should sort of have our own multipurpose music blog. Anyway, we're just starting out, and I wondered if you wanted to sort of do a blogroll swap – on the website you can see that I have room for websites on the right. I'd really appreciate it if you went to the site – just now up – and see if it's worthy. You can reach us at audibleaxiom at Thanks a lot!

Leave a Reply

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out /  Change )

Google+ photo

You are commenting using your Google+ account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )


Connecting to %s

%d bloggers like this: