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Definitely the most talented and arguably the all-around best jazz vocal group of all time, the Boswell Sisters parlayed their New Orleans upbringing into a swinging delivery that featured not only impossibly close harmonies, but countless maneuvers of vocal gymnastics rarely equalled on record. Connee (sometimes Connie), Helvetia (Vet), and Martha Boswell grew up singing together, soaking up Southern gospel and blues through close contact with the black community. They first performed at vaudeville houses around the New Orleans area, and began appearing on local radio by 1925. At first, they played strictly instrumentals, with Connee on cello, saxophone and guitar; Martha on piano; and Vet on violin, banjo, and guitar. The station began featuring them in a vocal setting as well, with Connee taking the lead on many songs (despite a childhood accident that had crippled her and left her in a wheelchair).

Word of their incredible vocal talents led to appearances in Chicago and New York, and the Boswell Sisters began recording in 1930 for Victor. By the following year, they’d moved to Brunswick and reached the Hit Parade with “When I Take My Sugar to Tea,” taken from the Marx Brothers’ film Monkey Business and featuring the Dorsey Brothers Orchestra in support. The trio continued to work with many of the best jazzmen in the field (including Eddie Lang, Joe Venuti, and Bunny Berigan), and appeared in the 1932 film extravaganza The Big Broadcast with Bing Crosby and Cab Calloway. The Boswell Sisters hit the top of the Hit Parade only once, in 1935, with “The Object of My Affection” from the film Times Square Lady. One year later however, both Martha and Vet retired from the group in favor of married life.

This 1995 CD has a sampling of the Boswell Sisters’ recordings, 20 titles from the premier vocal jazz group’s prime period. A few of the tunes are rarities (particularly “Song of Surrender,” “Coffee in the Morning,” and “Trav’lin All Alone”), while some others have been reissued numerous times (“Shuffle Off to Buffalo,” a classic “Sentimental Gentleman from Georgia,” and “Minnie the Moocher’s Wedding Day”). Although one hopes that all of the Boswells’ recordings will be reissued in chronological order someday (this collection skips around a bit), the CD acts as a strong introduction to the music of this magical and innovative group. The Dorsey Brothers Orchestra (with trumpeter Bunny Berigan) provides accompaniment on many of the titles.

-John Bush, Scott Yanow,

The Boswell Sisters-THAT’S HOW RHYTHM WAS BORN (1995 compilation)


One Comment

  1. Thanks for this – I had a sudden urge to listen to the Boswell Sisters.

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